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 The Times - 15th June 1999

I recently asked America's greatest living songwriter why humour is so under-utilised in rock'n'roll. Randy Newman's answer was that irony and satire are not radio- friendly and while they might produce one-off novelty hits, they are generally disastrous moves if you want a lasting career. Try thinking of exceptions and you come up with just two names - Newman and Loudon Wainwright III.

Now 52, Wainwright had his one-off novelty hit back in 1973 with Dead Skunk. Since then he has continued his crusade to make us laugh with his satirical, ironic and sometimes poignant observations on the world and the failings and foibles of its movers and shakers.

At Ronnie Scott's, armed with only a guitar and his wit, Wainwright previewed songs from Social Studies, his latest album, which began life as a weekly series of songs composed for American Public Service Radio on the big issues of the moment. Leap of Faith was written on the eve of Bill Clinton's first election, while Pretty Good Day So Far dated back to 1994 and was a wry observation on the siege of Sarajevo. Tonya's Twirls is about the Olympic ice skater Tonya Harding - remember her?

The danger is that such topical references can easily date, but Wainwright imbues the songs with a wider universality that can resonate even if you don't remember the stories he is singing about. And occasionally hindsight can add a new significance. His seven-year-old Clinton song, for example, includes the line: "We don't want a Santa Claus but God knows we'd take a saviour."

He ended with the best of the radio songs, Y2K, blessed with a funky James Brown riff and a brilliant lyric which suggested that we should blame Bill Gates if all the planes drop out of the sky come the new millennium. "Come on now, it's the end of the world so you've got to sing along," he told an audience which included Salman Rushdie (on the guest list as Herman Melville with his bodyguard Moby Dick). We called him back for two encores; no one seemed to mind that humour is meant to be a bad career move.

NIGEL WILLIAMSON